MOVIE MAKERS INTERESTED

MOVIE MAKERS INTERESTED

Written by Administrator

MOVIE MAKERS ARE INTERESTED IN MAKING A MOVIE BASED ON THE BOOK: "MARILYN MONROE RETURNS: THE HEALING OF A SOUL." OBVIOUSLY, THE HEALING OF A SOUL HAS ITS UPS AND DOWNS, AS IT IS A PROCESS THAT MAY TAKE MONTHS AND EVEN YEARS, AS EMPHASIZED IN THE BOOK. BUT ITS FOUNDATION HAS ALREADY BEEN FORGED OVER A SPAN OF EIGHT YEARS OF HARD WORK BY BOTH DR. ADRIAN FINKELSTEIN AND HIS RESEARCH SUBJECT, SHERRIE LEA LAIRD AKA MARILYN MONROE. IN REVEALING THE TRUTH, PATIENCE IS ESSENTIAL. A GREAT ANCIENT SAMURAI SAYING TELLS IT ALL: "PATIENCE IS THE GREATEST QUALITY OF MAN/WOMAN." MANY MORE COOKS, WISHING TO PREPARE THE MEAL SO TO SPEAK (EVEN WELL WISHERS AT TIMES,) OTHER THAN THE REAL ONES, THE DOCTOR AND SHERRIE, MAY BECOME POTENTIAL SPOILERS OF THIS NOBLE AND MAGIC PROJECT FOR THE GOOD OF HUMANITY. THEREFORE, DOCTOR AND SHERRIE SHOULD THANK THESE PEOPLE ACCORDINGLY, BUT OPT TO CONTINUE ON THEIR OWN, AND DIRECT THE HUMANITARIAN HEALING MESSAGE FOR ALL PEOPLE, THAT THEY INITIATED IN THE BOOK, TO TRUTHFULLY BE ADAPTED INTO A MOVIE BY ONE OF THESE MOVIE MAKERS. IT IS WORTH TO NOTE THAT THE PRESTIGIOUS BOOK REVIEWER, PUBLISHERS WEEKLY GRASPED IN ADVANCE, THAT THE BOOK ALREADY LOOKS LIKE A "READY-MADE STAGE PLAY," WHICH COULD EASILY BE MADE INTO A MOTION PICTURE: Publisher’s Weekly Review on Marilyn Monroe Returns: The Healing of a Soul, July 11, 2006 (INTERESING, AS THIS IS ALSO SHERRIE'S BIRTHDAY.) The anniversary of Marilyn Monroe's 80th birthday witnessed the publication of several new titles about her life and work. Even beside the impressive Bert Stern photo to me, Dr. Finkelstein's past-life regression therapy journal with Canadian pop singer Sherrie Lea Laird stands out: Laird firmly believes that she is the reincarnation of the 1950s screen icon, and Finkelstein, with 30 years of past-life regression work under his belt, believes she's right. Disturbed by her innate knowledge and fearing its adverse effects on herself and her singing career, Laird's struggle to come to terms with her larger-than-life ex-identity provide the book's narrative arc. Constructed of e-mail correspondence, phone call reconstructions and therapy session transcripts, as well as side-by-side images comparing Monroe's hands, feet, facial features and handwriting to Laird's, the book reads like a ready-made stage play where the actor's total conviction checks the audience's incredulity. In the first person, Laird relates Norma Jean's childhood experiences, her love affairs and her puzzling death, and works with Finkelstein to accept-rather than overcome or repress-the memories of her past life, which he sees as the only path toward healing.. Whether or not you believe them, Finkelstein and Laird must be given credit for their unparalleled take on the life and legacy of Marilyn Monroe. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved